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	<title>The Eight Limbs of Raja Yoga - Revision history</title>
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	<entry>
		<id>https://en.alpha.ikswiki.in/index.php?title=The_Eight_Limbs_of_Raja_Yoga&amp;diff=167&amp;oldid=prev</id>
		<title>Anilgs: added contributor name(s)</title>
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		<updated>2023-11-01T09:31:21Z</updated>

		<summary type="html">&lt;p&gt;added contributor name(s)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:01, 1 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sage Patanjali has classified the practice of Raja Yoga into eight limbs, known as Angas. The Angas of  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sage Patanjali has classified the practice of Raja Yoga into eight limbs, known as Angas. The Angas of  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Anilgs</name></author>
	</entry>
	<entry>
		<id>https://en.alpha.ikswiki.in/index.php?title=The_Eight_Limbs_of_Raja_Yoga&amp;diff=166&amp;oldid=prev</id>
		<title>Anilgs: Updated the first version, without too much formatting</title>
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		<updated>2023-11-01T09:20:33Z</updated>

		<summary type="html">&lt;p&gt;Updated the first version, without too much formatting&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
Sage Patanjali has classified the practice of Raja Yoga into eight limbs, known as Angas. The Angas of &lt;br /&gt;
&lt;br /&gt;
Yoga include – Yama (restraints), Niyama (observances), Asana (posture), Pranayama (regulation of&lt;br /&gt;
&lt;br /&gt;
Prana), Pratyahara (inner withdrawal), Dharana (contemplation), Dhyana (concentration), and&lt;br /&gt;
&lt;br /&gt;
Samadhi (integration) [1]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The classification of the observances and practices of Yoga can be &lt;br /&gt;
&lt;br /&gt;
understood in association with the functioning of Prana. Prana is the internal life-force energy that&lt;br /&gt;
&lt;br /&gt;
revitalizes the entire existence, including all living and non-living entities in it. Prana comes from&lt;br /&gt;
&lt;br /&gt;
Purusha into Prakriti, creating a disbalance in the three Gunas – Sattva, Rajas and Tamas – and&lt;br /&gt;
&lt;br /&gt;
thereby leads to the formation of individualized consciousnesses (Ahamkara). The consciousness is&lt;br /&gt;
&lt;br /&gt;
covered in the veil of Prakriti or Maya and, hence, has a false identification of the self. The purpose&lt;br /&gt;
&lt;br /&gt;
of the eight Angas of Yoga is to help the practitioner (Sadhaka) realize the true nature of the self as&lt;br /&gt;
&lt;br /&gt;
separate from Prakriti. This self-realization is the final stage of Samadhi, known as Kaivalya. The eight&lt;br /&gt;
&lt;br /&gt;
limbs are now discussed in detail.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Yama – restraints&lt;br /&gt;
&lt;br /&gt;
The Yamas refer to restraints that we must exercise to avoid the wastage of Prana. The word ‘Yama’&lt;br /&gt;
&lt;br /&gt;
literally refers to control, and hence, it involves those practices that aim to voluntarily control certain&lt;br /&gt;
&lt;br /&gt;
tendencies which are otherwise involuntarily expressed in a person. There are five Yamas, defined&lt;br /&gt;
&lt;br /&gt;
primarily on the basis of the five ways by which Prana wastes out of the body. The Yamas are Ahimsa&lt;br /&gt;
&lt;br /&gt;
(non-harming), Satya (truthfulness or non-lying), Asteya (non-stealing), Brahmacharya (non-&lt;br /&gt;
&lt;br /&gt;
sensuality), and Aparigraha (non-acquisitive) [2]&lt;br /&gt;
&lt;br /&gt;
Though labelled external discipline, the Yamas must be applied at all levels – physical, mental, and&lt;br /&gt;
&lt;br /&gt;
spiritual. Ahimsa refers to the practice of non-violence. Violence is incompatible with the Yogic path&lt;br /&gt;
&lt;br /&gt;
and must be avoided at all levels. Acts such as physically or verbally hurting others, violating&lt;br /&gt;
&lt;br /&gt;
promises, laws, and social order, and thinking harm to others all comprise of violence and must be&lt;br /&gt;
&lt;br /&gt;
refrained from. Satya refers to the upkeep of truth. One must never try to misrepresent any truth,&lt;br /&gt;
&lt;br /&gt;
feeling, emotion, or idea for one’s own benefit. It is better to remain silent on a situation rather than&lt;br /&gt;
&lt;br /&gt;
to falsify it. The practice of Asteya exercises control over the tendency to steal physical objects,&lt;br /&gt;
&lt;br /&gt;
ideas, or personality traits that are not one’s own. Such impersonation of others masks one’s true&lt;br /&gt;
&lt;br /&gt;
nature and takes them away from the Yogic path. Brahmacharya regulates sensual pleasures from&lt;br /&gt;
&lt;br /&gt;
physical objects, ideas, imaginations, and self-gratification. It refers to being situated in Brahman, to&lt;br /&gt;
&lt;br /&gt;
identify oneself as the Seer and not with the sense organs, and this can only be achieved through the&lt;br /&gt;
&lt;br /&gt;
practice of non-sensuality. Aparigraha shatters the chains of attachment to objects, living entities,&lt;br /&gt;
&lt;br /&gt;
feelings, decisions, and emotions. The practice of Yama leads to an honourable and successful social&lt;br /&gt;
&lt;br /&gt;
life. Shlokas 2.35-2.39 of Patanjali Yoga Sutras are dedicated to the benefits of practicing these&lt;br /&gt;
&lt;br /&gt;
Yamas.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Niyama – observances&lt;br /&gt;
&lt;br /&gt;
The Niyamas are the observances that remove blockages to the flow of Prana. The Niyamas are also&lt;br /&gt;
&lt;br /&gt;
five in number: Shaucha (Cleanliness), Santosha (Contentment), Tapas (Discipline), Swadhyaya (Self-&lt;br /&gt;
&lt;br /&gt;
study) and Ishwar-pranidhana (Devotional Surrender to Higher Power) [3]. The Niyamas make us&lt;br /&gt;
&lt;br /&gt;
conscious of the influence of the three Gunas in our lives and empower us to get over their&lt;br /&gt;
&lt;br /&gt;
influence. With continuous practice, the Niyamas decrease the Rajasic and Tamasic qualities in us&lt;br /&gt;
&lt;br /&gt;
and enhance the Sattvic qualities, thereby leading us towards the state of stability or equipoise.&lt;br /&gt;
&lt;br /&gt;
Ultimately, the Niyamas lead to an enriching personal life.&lt;br /&gt;
&lt;br /&gt;
Shaucha refers to cleanliness, i.e., to discard all foreign impurities (Tamas) and to achieve the pure&lt;br /&gt;
&lt;br /&gt;
state of natural existence (Sattva). Shaucha can be practiced at all levels – physical, mental, and&lt;br /&gt;
&lt;br /&gt;
spiritual. Gratitude and non-complaint are the two practices for the cultivation of Santosha. One&lt;br /&gt;
&lt;br /&gt;
must be content with what one has and must not complain about what one does not have. This&lt;br /&gt;
&lt;br /&gt;
observance vanquishes passion (Rajas) and situates us in Sattva. Tapas is any activity guided by rules&lt;br /&gt;
&lt;br /&gt;
and regulations. It comes from the word ‘Tapa,’ which refers to Agni (fire), whose function is to&lt;br /&gt;
&lt;br /&gt;
transform. Therefore, Tapas refers to the discipline that burns away Tamas (inaction or destructive&lt;br /&gt;
&lt;br /&gt;
action), and binds Rajas (activity) to Sattva (steadiness). Swadhyaya is the study of our own life from&lt;br /&gt;
&lt;br /&gt;
a third person’s view. A continuous practice of such self-reflective observance elevates one to the&lt;br /&gt;
&lt;br /&gt;
state of the detached observer (Seer), which is the ultimate goal of the Yogic path. It provides a&lt;br /&gt;
&lt;br /&gt;
platform for self-improvement by self-evaluating one’s past actions and learn one’s own&lt;br /&gt;
&lt;br /&gt;
experiences. Practicing these Niyamas, especially Swadhyaya, a Sadhaka will come to realize the&lt;br /&gt;
&lt;br /&gt;
presence of a Higher Power (Ishwara) and surrender unto the divine grace. This surrender, filled with&lt;br /&gt;
&lt;br /&gt;
love and devotion, is known as Ishwar-pranidhana. It shatters the practitioner’s ego as one realizes&lt;br /&gt;
&lt;br /&gt;
the insignificance of the individual self in front of the Supreme.&lt;br /&gt;
&lt;br /&gt;
The Yamas and Niyamas bestow certain divine qualities or powers on the practitioner. Ahimsa and&lt;br /&gt;
&lt;br /&gt;
Ishwar-pranidhana imbue Divine Love, Satya and Swadhyaya reflect Divine Truth, Asteya and&lt;br /&gt;
&lt;br /&gt;
Santosha bestow Divine Grace, Brahmacharya and Tapas enhance Divine Strength and Aparigraha&lt;br /&gt;
&lt;br /&gt;
and Shaucha lead to Divine Freedom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Asana – physical postures&lt;br /&gt;
&lt;br /&gt;
Asanas are physical postures that enable the smooth flow of Prana in our bodies. The postures of&lt;br /&gt;
&lt;br /&gt;
Yoga should embody steadiness, stability, and comfort[4]. Such a perfect posture can be achieved by&lt;br /&gt;
&lt;br /&gt;
relaxing or loosening of effort, and this allows our consciousness to merge with the infinite [5]. The&lt;br /&gt;
&lt;br /&gt;
attainment of such a perfected posture leads to unimpeded freedom by raising us above the play of&lt;br /&gt;
&lt;br /&gt;
opposites such as heat and cold, good and bad, or pain and pleasure[6]. The primary aim of any Asana&lt;br /&gt;
&lt;br /&gt;
is to achieve one or more of these – a correct posture for relaxation, to increase flexibility of the&lt;br /&gt;
&lt;br /&gt;
physical body, to improve balance, to strengthen the digestive and other systems, to strengthen the&lt;br /&gt;
&lt;br /&gt;
spine, and to maintain a proper sitting posture. Various Asanas are proposed and practiced –&lt;br /&gt;
&lt;br /&gt;
Bhujangasana, Tadasana, Paschimottasana, Uttasana, Halasana, and Shavasana are a notable few.&lt;br /&gt;
&lt;br /&gt;
Asanas also include sitting postures. A perfect sitting posture is a pre-requisite for all the&lt;br /&gt;
&lt;br /&gt;
forthcoming Angas; hence, it is crucial to achieve relaxation in sitting postures. Bhadrasana,&lt;br /&gt;
&lt;br /&gt;
Vajrasana, Padmasana, Sukhasana, and Siddhasana are a few examples. Of these, Vajrasana stands&lt;br /&gt;
&lt;br /&gt;
out as a unique Asana that can be practiced even after the consumption of meals, as it strengthens&lt;br /&gt;
&lt;br /&gt;
the digestive system.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pranayama – regulation of Prana&lt;br /&gt;
&lt;br /&gt;
Pranayama is the mechanism to control the flow of Prana. With effort relaxing, the flow of inhalation&lt;br /&gt;
&lt;br /&gt;
and exhalation can be brought to a standstill; this is called breath regulation through which one&lt;br /&gt;
&lt;br /&gt;
achieves Pranayama[7]&lt;br /&gt;
&lt;br /&gt;
. To achieve breath regulation, one must first understand the cycle of breath.&lt;br /&gt;
&lt;br /&gt;
The cycle of breath has four stages: Purak (Inhalation), Antar-Kumbhak (Holding In), Rechak&lt;br /&gt;
&lt;br /&gt;
(Exhalation), and Bahir-Kumbhak (Holding Out). Then, one must observe the various aspects during&lt;br /&gt;
&lt;br /&gt;
this cycle - the flow of air through the air passage, the sound of breath, the duration of breath&lt;br /&gt;
&lt;br /&gt;
among others. These can be observed with conscious effort, which makes breath slow and subtle[8]&lt;br /&gt;
&lt;br /&gt;
.&lt;br /&gt;
&lt;br /&gt;
With continued breath regulation, the distinction between breathing in and out also falls away, and&lt;br /&gt;
&lt;br /&gt;
this lifts the veil from the luminosity of the mind, leading towards self-realization[9] [10]. With&lt;br /&gt;
&lt;br /&gt;
continued practice, one achieves cessation of breath with ease, which helps in perceiving Prana as&lt;br /&gt;
&lt;br /&gt;
separate from breath. Once Prana can be perceived, one can channel it to different parts of the&lt;br /&gt;
&lt;br /&gt;
body, leading to Pranic healing and cleansing. Standard Pranayama techniques include Bhastrika&lt;br /&gt;
&lt;br /&gt;
(Bellow Breathing), Anulom Vilom (Alternate Nostril Breathing), Bharamari (Sound of Bumble Bee&lt;br /&gt;
&lt;br /&gt;
Exhalation), Kapalbhaati (Rapid Pulsed Exhalation) and Ujjayi (Sound of Wave Exhalation).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pratyahara – inner withdrawal&lt;br /&gt;
&lt;br /&gt;
Pratyahara refers to withdrawing Prana inwards by reversing the direction of our senses. When&lt;br /&gt;
&lt;br /&gt;
consciousness interiorizes by uncoupling from external objects, the senses do likewise; this is called&lt;br /&gt;
&lt;br /&gt;
Pratyahara[11]. Once Pratyahara is achieved, the senses reside utterly in the service of self-realization&lt;br /&gt;
&lt;br /&gt;
[12]&lt;br /&gt;
&lt;br /&gt;
. Once Pratyahara is achieved, one possesses the ability to recognize and contemplate objects in&lt;br /&gt;
&lt;br /&gt;
the Astral and Causal planes. One is also able to perceive internal organs, perceive the mind as an&lt;br /&gt;
&lt;br /&gt;
internal organ, and take consciousness near and within such organs. Ultimately, one perceives the&lt;br /&gt;
&lt;br /&gt;
self as pure consciousness. Pratyahara also leads to the purification of the senses, heightening sense&lt;br /&gt;
&lt;br /&gt;
perceptions and intuition. It also sharpens the discriminative power known as Viveka.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Dharana – contemplation&lt;br /&gt;
&lt;br /&gt;
Dharana is the process of holding or fixing the mind&amp;#039;s attention onto one object or place [13]. While it&lt;br /&gt;
&lt;br /&gt;
is possible to contemplate on physical objects, one must go beyond and focus on spiritual objects in&lt;br /&gt;
&lt;br /&gt;
the Astral and Causal planes to progress towards self-realization. In the astral level, one can&lt;br /&gt;
&lt;br /&gt;
contemplate on objects like the Chakras and Nadis, patterns of Light, the Light Body of the Self, the&lt;br /&gt;
&lt;br /&gt;
face or form of a deity, spiritual objects and symbols, and many others. Focusing on feelings of&lt;br /&gt;
&lt;br /&gt;
peace, calmness, kindness, love, joy, non-attachment, contentment, and other aspects such as&lt;br /&gt;
&lt;br /&gt;
wisdom, Divine Power, discrimination, and truthfulness constitute Dharana at the causal level.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Dhyana – concentration&lt;br /&gt;
&lt;br /&gt;
Once an object has been contemplated in the inner space, it is necessary to hold on to it for some&lt;br /&gt;
&lt;br /&gt;
time. Dhyana refers to the one-pointed concentration on the contemplated spiritual object. The&lt;br /&gt;
&lt;br /&gt;
Yoga Sutras mention that the repeated continuation or uninterrupted stream of that one point of&lt;br /&gt;
&lt;br /&gt;
focus is called absorption in meditation or concentration[14]. Through Dhyana, we aim to achieve a&lt;br /&gt;
&lt;br /&gt;
single-pointed perception of the object of contemplation. Ultimately, we aim for absorption of the&lt;br /&gt;
&lt;br /&gt;
self with the object of contemplation.&lt;br /&gt;
&lt;br /&gt;
Any meditation technique combines the three Angas – Pratyahara, Dharana, and Dhyana.&lt;br /&gt;
&lt;br /&gt;
Techniques such as Watching the Breath (Air Flow as the Object of Contemplation), Watching the&lt;br /&gt;
&lt;br /&gt;
Light (Patterns of Light as the Object of Contemplation), Listening to Sound (Proceeding towards&lt;br /&gt;
&lt;br /&gt;
subtler sounds), Being in the Present (Contemplating on only one moment in time without worries of&lt;br /&gt;
&lt;br /&gt;
the past and future) and Perceiving the Self (Focussing on oneself as the observer of everything) are&lt;br /&gt;
&lt;br /&gt;
commonly practiced by different schools of Yoga. Among these, the last two techniques are higher&lt;br /&gt;
&lt;br /&gt;
forms of meditation that eventually lead to liberation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Samadhi – integration&lt;br /&gt;
&lt;br /&gt;
When one is meditatively absorbed with a contemplated object, the essence of that object shines&lt;br /&gt;
&lt;br /&gt;
forth in the mind as if devoid even of its own form. This state of deep absorption is called integration&lt;br /&gt;
&lt;br /&gt;
or Samadhi [15]. Samadhi is the stage when everything becomes known about the contemplated&lt;br /&gt;
&lt;br /&gt;
object. The practitioner achieves complete freedom from all sorts of questions regarding that object.&lt;br /&gt;
&lt;br /&gt;
In other words, that person achieves a ‘Union’ with that object. The ultimate form of Samadhi,&lt;br /&gt;
&lt;br /&gt;
known as Kaivalya, refers to the absorption of the individual self into the Supreme Self. This is the&lt;br /&gt;
&lt;br /&gt;
stage of self-realization, where the person realizes the true nature of self as separate from Prakriti.&lt;br /&gt;
&lt;br /&gt;
Dharana, Dhyana, and Samadhi regarding a single object comprise the perfect discipline of&lt;br /&gt;
&lt;br /&gt;
consciousness, known as Samyama[16]. Once Samyama has been mastered, wisdom dawns[17]. With&lt;br /&gt;
&lt;br /&gt;
the practice of Samyama on successive moments of time, one receives an insight born of&lt;br /&gt;
&lt;br /&gt;
discrimination (Viveka) [18]. Such discrimination helps to distinguish pure awareness as separate from&lt;br /&gt;
&lt;br /&gt;
all the elements of Prakriti. When one situates one’s consciousness in this pure awareness, one is&lt;br /&gt;
&lt;br /&gt;
able to be aware of the one who is aware, i.e., the observer can observe itself [19]. This leads to the&lt;br /&gt;
&lt;br /&gt;
true identification of the self and leads to self-realization. The realized one becomes a pure Seer,&lt;br /&gt;
&lt;br /&gt;
untainted by the transformations produced by the three Gunas[20] Prana is realized as the Power of Consciousness &lt;br /&gt;
&lt;br /&gt;
(Chit-Shakti) that activates and illumines everything to the Observer (Purusha).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Citations&lt;br /&gt;
&lt;br /&gt;
[1] Patanjali Yoga Sutras, Shloka 2.29&lt;br /&gt;
&lt;br /&gt;
[2] Patanjali Yoga Sutras, Shloka 2.30&lt;br /&gt;
&lt;br /&gt;
[3] Patanjali Yoga Sutras, Shloka 2.32&lt;br /&gt;
&lt;br /&gt;
[4] Patanjali Yoga Sutras, Shloka 2.46&lt;br /&gt;
&lt;br /&gt;
[5] Patanjali Yoga Sutras, Shloka 2.47&lt;br /&gt;
&lt;br /&gt;
[6] Patanjali Yoga Sutras, Shloka 2.48&lt;br /&gt;
&lt;br /&gt;
[7] Patanjali Yoga Sutras, Shloka 2.49&lt;br /&gt;
&lt;br /&gt;
[8] Patanjali Yoga Sutras, Shloka 2.50&lt;br /&gt;
&lt;br /&gt;
[9] Patanjali Yoga Sutras, Shloka 2.51&lt;br /&gt;
&lt;br /&gt;
[10] Patanjali Yoga Sutras, Shloka 2.52&lt;br /&gt;
&lt;br /&gt;
[11] Patanjali Yoga Sutras, Shloka 2.54&lt;br /&gt;
&lt;br /&gt;
[12] Patanjali Yoga Sutras, Shloka 2.55&lt;br /&gt;
&lt;br /&gt;
[13] Patanjali Yoga Sutras, Shloka 3.1&lt;br /&gt;
&lt;br /&gt;
[14] Patanjali Yoga Sutras, Shloka 3.2&lt;br /&gt;
&lt;br /&gt;
[15] Patanjali Yoga Sutras, Shloka 3.3&lt;br /&gt;
&lt;br /&gt;
[16] Patanjali Yoga Sutras, Shloka 3.4&lt;br /&gt;
&lt;br /&gt;
[17] Patanjali Yoga Sutras, Shloka 3.5&lt;br /&gt;
&lt;br /&gt;
[18] Patanjali Yoga Sutras, Shloka 3.53&lt;br /&gt;
&lt;br /&gt;
[19] Patanjali Yoga Sutras, Shloka 3.56&lt;br /&gt;
&lt;br /&gt;
[20] Patanjali Yoga Sutras, Shloka 4.34&lt;/div&gt;</summary>
		<author><name>Anilgs</name></author>
	</entry>
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